In Season 3 of The Man In the High Castle, the show has transitioned from in interesting quasi-science fiction series, to a procession of 10 hour long commercials for sexual deviancy. No, I'm not making it up, and no, I'm not exaggerating. In stark contrast to the previous two seasons, Season 3 devotes what is cumulatively a significant portion of its run time, to content utterly bereft of any intrinsic value whatsoever in regard to advancing the show's actual plot, and instead serves purely to showcase sodomites being sodomites. There's segment after segment that does nothing more than depict an actor or actress staring adoringly or lasciviously at someone of the same gender, or, just in case that wasn't clear enough, depicting them kissing or in the throws of perverse passion (at times bordering on pornography) so the viewer is left with absolutely no uncertainty whatsoever that TMITHC's post-war America is thronged with flaming queers.
And as if that weren't bad enough, these reprobates are depicted via already dreadfully banal leftist motifs, like the sapphic journalist/media personality or "queer" cowboy. There's so much of this crap, it detracts from the thing you actually care about and want to see, the story. They spend so much time on exhibitions of sexual deviancy, genuine character development suffers and the plot seems to advance at a snail's pace, and left me feeling like it made no real progress over the course of the season. At this rate I can reasonably infer Season 4 will feature "transgender" resistance fighters whose sexual escapades comprise 25% of the season's run time.
As with other shows that attempt to deluge me with degeneracy, I just began fast-forwarding past every segment which depicted queer characters together. You dumb asses might sit there and allow yourselves to be "conditioned" (i.e., brainwashed) by the pederasts in Hollywood, but I won't. Sodomite subversives have openly stated that the first step to brainwashing heterosexuals into accepting sodomy is "desensitization." And the key to achieving that is exposure. Repeatedly, and regularly, show them people engaging in "same-sex" sexual activity. As one article unambiguously stated.
As with other shows that attempt to deluge me with degeneracy, I just began fast-forwarding past every segment which depicted queer characters together. You dumb asses might sit there and allow yourselves to be "conditioned" (i.e., brainwashed) by the pederasts in Hollywood, but I won't. Sodomite subversives have openly stated that the first step to brainwashing heterosexuals into accepting sodomy is "desensitization." And the key to achieving that is exposure. Repeatedly, and regularly, show them people engaging in "same-sex" sexual activity. As one article unambiguously stated.
"The first order of business is desensitization of the American public. [....] The average American household watches over seven hours of TV daily. Those hours open up a gateway into the private world of straights, through which a Trojan horse might be passed."TMITHC conspicuously follows this formula in Season 3, with repeated and regular exposure, the sole purpose of which is the desensitization of the viewer. And this is evinced by the fact I didn't miss out on anything crucial to the plot whatsoever, by fast-forwarding past the parts that depicted sodomite relationships. It contributed absolutely nothing to the actual story. Because its purpose is purely to desensitize and entice and viewer. Nothing more.
And this is all in addition to an atrociously written story that at times borders on the comical. Erstwhile major characters, who I shan't name here for the sake of sparing whatever poor souls decide to watch this tripe from spoilers, are discarded over the course of the season with a conspicuous lack of compunction that verges on The Walking Dead's nonchalance in killing off extras. But I guess, since the show revolves around people crossing over to and from parallel dimensions, death doesn't really matter as they're all still presumably alive in another dimension and will therefore be back for Season 4; i.e., The Person Whose Gender We Won't Assume In The Highcastle: Trannies Against Fascism.
The show is full of woefully empty characters of both genders whose nigh sole discernible attribute is their prurience. The main character, or what appears to be the main character, Juilana Crane, is herself nothing more than a shallow floozy. Seriously, she's a straight whore, who's already had multiple sexual partners or romantic interests over the course of three paltry seasons. But as usual, when women are flinging their vaginas around like a Frisbee in television or film, it's depicted as cutely coy, or given a romantic ambiance, etc. I for one found myself wondering, more than once, how many men is this slut going to lead on exactly? But back to the atrocious writing.
At one point, despite being a wanted fugitive aware of the fact she's being pursued by authorities who have her picture, Crain and a cohort attempt to pass through a guarded border crossing with Crain looking identical to the photograph that's been disseminated to the various authorities. Seriously, she's done nothing, nothing, to change her appearance whatsoever. She didn't even put on a hat. No sunglasses. Nothing. This promptly causes what is arguably the most ridiculous and needless bloodbath in the show's brief history, as Crain could have simply gotten out of the vehicle a mile prior to the checkpoint, the with a relatively brief hike bypassed it altogether. I didn't know whether to laugh or curse at the stupidity of it all. But hey, who needs a coherent narrative, when you can just shove in copious amounts of queers staring at each other and/or making out as filler?
The show is full of woefully empty characters of both genders whose nigh sole discernible attribute is their prurience. The main character, or what appears to be the main character, Juilana Crane, is herself nothing more than a shallow floozy. Seriously, she's a straight whore, who's already had multiple sexual partners or romantic interests over the course of three paltry seasons. But as usual, when women are flinging their vaginas around like a Frisbee in television or film, it's depicted as cutely coy, or given a romantic ambiance, etc. I for one found myself wondering, more than once, how many men is this slut going to lead on exactly? But back to the atrocious writing.
At one point, despite being a wanted fugitive aware of the fact she's being pursued by authorities who have her picture, Crain and a cohort attempt to pass through a guarded border crossing with Crain looking identical to the photograph that's been disseminated to the various authorities. Seriously, she's done nothing, nothing, to change her appearance whatsoever. She didn't even put on a hat. No sunglasses. Nothing. This promptly causes what is arguably the most ridiculous and needless bloodbath in the show's brief history, as Crain could have simply gotten out of the vehicle a mile prior to the checkpoint, the with a relatively brief hike bypassed it altogether. I didn't know whether to laugh or curse at the stupidity of it all. But hey, who needs a coherent narrative, when you can just shove in copious amounts of queers staring at each other and/or making out as filler?
Crain goes on to rendezvous with and join what is perhaps the most incompetent "resistance" ever depicted in television and film aside from Top Secret. They infiltrate a super secret experimental scientific facility via an abandoned mine shaft, which leads to an apparent ventilation cover conveniently overlooking the very experimental machine they're seeking, which the otherwise incredibly meticulous Nazis have inexplicably left completely unsecured. They all basically stand at the vent spectating the Nazi experiment, and when I say "stand at the vent," I mean just that. They're not prone. They're not even on their hands and knees. They're basically upright and inches away from the vent cover, not trying to be particularly covert about it in any meaningful way. Again, I'm not making this up. Again, I'm not exaggerating. I mean, look at this.
I can't tell if they're spies or VIPs watching a sporting event from the owner's box. Apparently this is how "the resistance" in TMITHC engages in "clandestine" operations.
After the experiment concludes, the noise of which has dissipated, they remain there at the vent and proceed to have a conversation about it amongst themselves which the Nazis, being about 20 feet away, naturally hear resulting in a violent confrontation. They'd infiltrated this facility through what essentially constitutes the holy grail of surreptitiousness. What facilitates "resistancy" style espionage more than an abandoned mine shaft connected to an unsecured ventilation system? And through abject stupidity utterly squandered it. The mine, and the ventilation cover providing easy access to the facility, will now certainly be secured by the Nazis preventing any future incursions via that avenue.
I can't tell if they're spies or VIPs watching a sporting event from the owner's box. Apparently this is how "the resistance" in TMITHC engages in "clandestine" operations.
After the experiment concludes, the noise of which has dissipated, they remain there at the vent and proceed to have a conversation about it amongst themselves which the Nazis, being about 20 feet away, naturally hear resulting in a violent confrontation. They'd infiltrated this facility through what essentially constitutes the holy grail of surreptitiousness. What facilitates "resistancy" style espionage more than an abandoned mine shaft connected to an unsecured ventilation system? And through abject stupidity utterly squandered it. The mine, and the ventilation cover providing easy access to the facility, will now certainly be secured by the Nazis preventing any future incursions via that avenue.
Near the end, three characters (two of them queers), hang a banner from a tower in memoriam for another character. The one heterosexual character asks before unfurling it if they're sure they've got it straight. To which one of the queer characters promptly quips "I think you mean even," in an apparent attempt at repartee, or veiled jab at heterosexual "bigotry" which immediately induced my eyes to roll into my skull.
Leftists will no doubt watch this and conclude that Conservatives are Nazis because they oppose sodomy too, completely oblivious to the fact it is they who are Socialists and tearing down statues, and seeking to revise and erase our history just like the TMITHC's National Socialists, who are defacing and destroying American historical monuments and statues in a campaign ("Jahr Null") to supplant traditional American values and ideals with the Nazi's Socialist weltanschauung. They're the ones that subject people in disparity with the Socialist platform to "mandatory reeducation courses" (known in modern America as "sensitivity training").
Leftists will no doubt watch this and conclude that Conservatives are Nazis because they oppose sodomy too, completely oblivious to the fact it is they who are Socialists and tearing down statues, and seeking to revise and erase our history just like the TMITHC's National Socialists, who are defacing and destroying American historical monuments and statues in a campaign ("Jahr Null") to supplant traditional American values and ideals with the Nazi's Socialist weltanschauung. They're the ones that subject people in disparity with the Socialist platform to "mandatory reeducation courses" (known in modern America as "sensitivity training").
As someone who rather liked this show, it's with some disappointment I must declare it's no longer really worth watching. It's become just another victim of trash SJW writers who (consistently) sacrifice quality for the sake of peddling their own depraved socio-political values. The show is now just as much about sexuality, and deviant sexuality in particular, as it is a parallel universe in which the Nazis won World War 2. As of writing this John Smith is the only character with any depth whatsoever. He's the only one with which you empathize on virtually any level. Essentially all the rest are vapid, and completely disposable, ciphers. His wife? Just another whore, inexplicably cheating on her husband, because the show's writers are obsessed with sexual impropriety. I was rather anticipating Season 3. But now having seen it, I can honestly say, I don't much give a damn about seeing Season 4. But I'd wager most people will love it; because American society is depraved. A throng of maggots assiduously engorging themselves upon the putrefaction left by the demise of Judeo-Christian values.
No comments:
Post a Comment